_making-a-fine-art-photography-print-desert-train-hopper-preview-1.jpg "Making a Fine Art Photography Print: Desert Train Hopper from hopper prints Video Screenshot Preview 1")
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Nick Carver
Nick Carver
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_amanda-poh-italiadesign-2016.webp "Amanda is a visual designer, appreciating a thoughtful colour palette and refined prints, inspired by her surroundings. She’s also a UX strategist, working best in short sprints, possibly due to her love for the adrenaline rush of quick thinking. When designing, she tries to share a voice or a story that is meaningful by putting herself in someone else’s position to imagine all aspects of what they would think or do. She’s a photographer and a museum hopper, usually both at the same time.n")
_hopper-on-paper-124-session-1.webp "Whitney Museum of American Art")
_waiting-for-something-to-happen-dominique-zeltzman.webp "A video/sound installation and collection of miniature prints that use Baltimore City surveillance footage to contrast the drama of a potential crime with the monotony of the everyday.nBaltimore Museum of Art, August 2015nSchool 33 Project Space, June 2015nnSeeing Color: A Conversation About Race & ArtnBaltimore Museum of ArtnAilish Hopper, poet and professor at Goucher College, November 14, 2015nhttps://artbma.org/events/2015-14-11.seeing.colornZeltzman’s linking of the hypnotic mundane t")
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_edward-hopper-a-collection-of-236-paintings-hd.webp "LearnFromMasters")
_92.webp "Born in Victoria, Australia, Martin Lewis was a printmaker who is known for his scenes of urban life in New York during the 1920s and 1930s. As a youth Lewis held a variety of jobs that ranged from working on cattle ranches in the Australian Outback, in logging and mining camps, to being a sailor. In 1898, he moved to Sydney for two years where he received his only formal art training. During this period he may have been introduced to printmaking; a local radical paper, The Bulletin, published t")
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