Emonoto Prem Hoy | Khude Gaanraj - 2011 | Al Mamun | Movie Song | Channel i from emone to prem hoi Watch Video

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Asif, a Muslim married to a Hindu, who, for reasons too convoluted to explain, becomes possessed by the spirit of a transwoman Laxmii. When he is under her spell, Asif ferociously clicks his teeth and even lets out a sort of war cry. We get so many close-ups that I started admiring how clean Akshay's teeth are. As I watched, I also wondered, how many communities will Akshay save? In Airlift, he saved Indian migrants in the Middle East; In Toilet: Ek Prem Katha, he saved women from the humiliation of defecating outdoors; in Padman, he once again came to the rescue, playing a man who creates low-cost sanitary napkins; in Kesari, as Havaldar Ishar Singh, he rescues a fort and Sikh honor; and now as Laxmii, he bats for transgenders and also throws in a few strokes for Muslims and a child with special needs. It's a heavy load. Which might be why his performance feels delivered in auto-pilot mode.<br/><br/>Laxmii is the remake of a Tamil film called Kanchana, written and directed by Raghava Lawrence, who also played the lead in that film. In Kanchana, his character, also called Raghava, isn't heroic. He's a cowardly man, so afraid of ghosts that he sleeps next to his mother and even insists that she accompany him to the bathroom. Some of the pleasure in that film was watching this wimp transform into the avenging angel Kanchana. Raghava has directed Laxmii but perhaps him and co-writers Farhad Samji, Sparsh Khetarpal and Tasha Bhambra who did the adaptation and dialogue, didn't want to risk downsizing their star. So Asif is some sort of ghostbuster. From his first scene itself, he is in savior mode, rescuing people from fraud babas. Kanchana was made in 2011. It's loud, simplistic and problematic in terms of representation. But Raghava created moments of cheesy fun and it was satisfying to see Kanchana ultimately get her revenge. The high pitch and stereotyping has not aged well and so much has been lost in translation. The tweaks to the original have only made this version worse – the interfaith marriage angle is laughably lame. Kiara Advani plays Asif's wife Rashmi. She does little except calisthenic dancing at the Burj Khalifa and widening her eyes as her husband behaves erratically. Rashmi's family disowned her when she ran away with Asif. They are offended that he is Muslim but not one person seems to notice the difference in age. Also Read: Laxmii, Starring Akshay Kumar, Is A Tone-Deaf Horror Comedy The writing is awful. The message of inclusion is noble but also obviously fraudulent because the film itself contradicts it. There is so much shrieking that it might induce a headache and perhaps the worst sin – the ghost, before it enters Asif's body, is basically a wig with a fan behind it.
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Hotel Deluxe is a 2013 Hong Kong comedy film released in commemoration with the Lunar New Year of 2013. The film was produced by Raymond Wong Pak-ming (黃百鳴) and directed by Vincent Kok Tak-chiu (谷德昭), his thirteenth as a director, and written by him along with Anselm Chan Mou-yin (陳茂賢, credited as Anselm Chan), Steven Fung Min-hang (馮勉恆), and Poon Jun Lam (潘俊霖). Hotel Deluxe features many of the recurring cast from his All's Well, Ends Well film series.<br/><br/>Hotel Deluxe concerns the Hundred Stars Hotel, located on Qiandao Lake in Hangzhou (also the key location in All’s Well Ends Well 2009), and how the hotel staff bands together to retain their five-star rating. Longtime staff members Peachey (吳君如 Sandra Ng Kwan-yue), Pacino (杜汶澤 Chapman To Man-chak) and OK Pao (鄭中基 Ronald Cheng Chung-kei) have become somewhat complacent, so the head office assigns tightfisted manager Cruella Koo (毛舜筠 Teresa Mo Shun-kwan) to oversee operations. The staff isn’t too happy with the new leadership and makes a few weak attempts at screwing with Cruella. However, she’s really a decent sort and before long she’s working with the team to solve the hotel’s many crises.<br/><br/>Besides a suspected travel critic, the annoying Jim (詹瑞文 Jim Chim Sui-man) prowling the grounds, the hotel staff must handle visiting superstars Audrey (熊黛林 Lynn Hung Dai Lin) and Marilyn (Karena Ng). Both have problems: Audrey is sickly sweet in public but foul-mouthed and difficult in private, and Marilyn is a new age oddball. While Cruella deals with Audrey (吳千語 Karena Ng Chin-yu) and her many demands, OK Pao handles Marilyn. OK Pao is a super fan of Marilyn, but that fact charms rather than repels her and soon the two develop mutual romantic feelings.<br/><br/>However, before OK Pao can get his own Notting Hill remake, old friend Bobo (薛凱琪 Fiona Sit Hoi-kei) arrives at the hotel with a special request: she must get married to keep her family inheritance, but her uncle Ho San (Raymond) seeks to stop her. However, Bobo doesn’t have a fiancé, so the staff finds a ringer in valet Mark Lui (于波 Yu Bo) and prepare to fake her wedding. The potential pairings triple when Bobo’s uncle takes a shine to Peachey, plus Bobo has unrequited feelings for OK Pao. Things eventually reach a head — but don’t worry, it all ends well. You know, just like in Raymond Wong’s other movies.
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