_picturing-the-black-fantastic.jpg "Picturing The Black Fantastic from arkestra dance in new Video Screenshot Preview")
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⏲ Duration: 1 min 58 sec
✓ Published: 22-Sep-2018
✓ Published: 22-Sep-2018
Description:
From the opening frames of Jean Renoir’s Sur un air de Charleston (1927) it is understood that Blackness, and in this instance Negroeness, is associated with both a literal and symbolic power. In the year 2028 an Afronaut (in the words of Dr. Funkenstein, A.K.A. George Clinton), travels to Europa Desert from the continent of Africa. He encounters a native woman, they do “the dance of love”, and from their hypnotic interaction, a new reality is birthed.nnIt has been incumbent upon Americans
From the opening frames of Jean Renoir’s Sur un air de Charleston (1927) it is understood that Blackness, and in this instance Negroeness, is associated with both a literal and symbolic power. In the year 2028 an Afronaut (in the words of Dr. Funkenstein, A.K.A. George Clinton), travels to Europa Desert from the continent of Africa. He encounters a native woman, they do “the dance of love”, and from their hypnotic interaction, a new reality is birthed.nnIt has been incumbent upon Americans
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