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_t-s-eliot-reads-whispers-of-immortality.webp "Webster was much possessed by deathtnAnd saw the skull beneath the skin;tnAnd breastless creatures under groundtnLeaned backward with a lipless grin.tn nDaffodil bulbs instead of ballstnStared from the sockets of the eyes!tnHe knew that thought clings round dead limbstnTightening its lusts and luxuries.tn nDonne, I suppose, was such anothernWho found no substitute for sense;tnTo seize and clutch and penetrate,tnExpert beyond experience,tn nHe knew the anguish of the marrowtnThe a")
_swell-reads-gallery-closing.webp "ASwellAudio")
_swell-reads-turgid-in-tartarus.webp "ASwellAudio")
_breath-of-the-sea-2019.webp "Breath of the Sea utilizes the juxtaposition of essential geometry and visceral experience. Circles, defined by their very specific geometric properties, are projected into an amorphous fabric architectural intervention which raises questions regarding point-of-view and truth-in-perception while creating a quietly chaotic immersive atmosphere.nnThe Dalhousie Gallery is a 1971 brutalist architectural work designed by Junji Mikawa. The 150 square meter installation space features both cavernous an")
_swell-reads-janko-the-superheavyweight.webp "ASwellAudio")
_breath-of-the-sea-2019-by-christine-sciulli.webp "This video is a ten minute documentation of my installation Breath of the Sea which utilizes the juxtaposition of essential geometry and visceral experience. Circles, defined by their very specific geometric properties, are projected into an amorphous fabric architectural intervention which raises questions regarding point-of-view and truth-in-perception while creating a quietly chaotic immersive atmosphere.nnThe Dalhousie Gallery is a 1971 brutalist architectural work designed by Junji Mikawa.")
_swell-reads-najimi-osana-is-good-at-inflating.webp "ASwellAudio")
_swell-reads-the-day-misato-sat-still.webp "ASwellAudio")
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_breath-of-the-sea-2019-by-christine-sciulli.jpg)
_swell-reads-najimi-osana-is-good-at-inflating.jpg)
_swell-reads-the-day-misato-sat-still.jpg)
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