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Asif, a Muslim married to a Hindu, who, for reasons too convoluted to explain, becomes possessed by the spirit of a transwoman Laxmii. When he is under her spell, Asif ferociously clicks his teeth and even lets out a sort of war cry. We get so many close-ups that I started admiring how clean Akshay's teeth are. As I watched, I also wondered, how many communities will Akshay save? In Airlift, he saved Indian migrants in the Middle East; In Toilet: Ek Prem Katha, he saved women from the humiliation of defecating outdoors; in Padman, he once again came to the rescue, playing a man who creates low-cost sanitary napkins; in Kesari, as Havaldar Ishar Singh, he rescues a fort and Sikh honor; and now as Laxmii, he bats for transgenders and also throws in a few strokes for Muslims and a child with special needs. It's a heavy load. Which might be why his performance feels delivered in auto-pilot mode.<br/><br/>Laxmii is the remake of a Tamil film called Kanchana, written and directed by Raghava Lawrence, who also played the lead in that film. In Kanchana, his character, also called Raghava, isn't heroic. He's a cowardly man, so afraid of ghosts that he sleeps next to his mother and even insists that she accompany him to the bathroom. Some of the pleasure in that film was watching this wimp transform into the avenging angel Kanchana. Raghava has directed Laxmii but perhaps him and co-writers Farhad Samji, Sparsh Khetarpal and Tasha Bhambra who did the adaptation and dialogue, didn't want to risk downsizing their star. So Asif is some sort of ghostbuster. From his first scene itself, he is in savior mode, rescuing people from fraud babas. Kanchana was made in 2011. It's loud, simplistic and problematic in terms of representation. But Raghava created moments of cheesy fun and it was satisfying to see Kanchana ultimately get her revenge. The high pitch and stereotyping has not aged well and so much has been lost in translation. The tweaks to the original have only made this version worse – the interfaith marriage angle is laughably lame. Kiara Advani plays Asif's wife Rashmi. She does little except calisthenic dancing at the Burj Khalifa and widening her eyes as her husband behaves erratically. Rashmi's family disowned her when she ran away with Asif. They are offended that he is Muslim but not one person seems to notice the difference in age. Also Read: Laxmii, Starring Akshay Kumar, Is A Tone-Deaf Horror Comedy The writing is awful. The message of inclusion is noble but also obviously fraudulent because the film itself contradicts it. There is so much shrieking that it might induce a headache and perhaps the worst sin – the ghost, before it enters Asif's body, is basically a wig with a fan behind it.
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An uber-cool, carefree Jazz aka Jassi (Saif Ali Khan) is a real estate broker in London who’s all set to crack the biggest deal of his life. He’s a party animal who loves his freedom but is also crossing the age of 40. He meets a girl, Tia (Alaya F) in the club, brings her home, tries to get steamy with her until she drops the “you might be my father” bomb on him.<br/>She statically explains to him how there’s a 33.33% chance that he’s her father. He’s not ready to sacrifice his freedom for her. The rest of the story is all about how Tia tries to stay close to Jazz and hope she gets her family together. On the other hand, we’ve Jazz who’s stuck in closing the deal & how it interconnects with Tia.<br/>Apart from attention-absorbing script, it’s Saif Ali Khan’s presence that keeps you hooked. After your done being envious of how cool he looks, you’ll start laughing with him on his lame jokes. The script makes its way through comedy & drama balancing both of them equally. It’s an easy to watch, easy to recommend dramedy which is laced by some good performances.<br/><br/>There were times when the adult in me screamed for why the makers didn’t take a complete ‘A’ certificate route and made this into an A-rated affair. But then, the target audience. The pace dips in the second half when the drama takes over the driving seat. Jawaani Jaaneman holds an edge over Ajay Devgn’s De De Pyaar De which kind-of had a similar genre.<br/><br/>Saif Ali Khan, without a single iota of doubt, is the best ageing Khan of Bollywood. There could’ve been no better actor than him to portray Jazz and he breathes in a whole of swag to the character. A tailor-made role for Saif flawlessly performed & intriguingly written.<br/><br/>
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