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A bride surprised her grandparents by showing up to her rehearsal dinner in her grandmother's wedding dress from 1961. To Taylor Pulfer, 29, her grandmother Sue, 82, and her husband, Dan, 82, are the beacon of the family – their 65 years together being the epitome of a strong marriage. Taylor from Dallas, Texas, said she had no real family heirlooms to incorporate into her big celebration – but then she remembered that her grandmother's dress had played a big part in more than one family wedding. More than two decades after Sue had worn her wedding dress for her marriage to Dan, the couple’s daughter, Angela, wore the dress for her wedding in Wichita, Kansas, in 1984. Taylor decided to keep her incorporation low-key and secret, asking her mom to visit her grandma to check if she still had the dress, which she then found in a garment bag in a relative's attic. Having sourced the dress, Taylor had a vision of what she wanted to accomplish: repurposing it for the rehearsal dinner before her big day. She admitted that she had no idea how to go about such alterations – but fortunately, one of her bridesmaids had seen a viral TikTok video of a wedding dress redesign by a designer, Lovell Faye, who lived just 20 minutes away. On February 23, Taylor and her husband Randall, 29, made their way into Sixty Vines in Uptown, Dallas, where they hosted a rehearsal dinner in the venue's greenhouse. Taylor, wearing the altered dress, made a B-line straight for her grandmother, who did not realize the garment's significance but said that Taylor looked beautiful, \
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✿ Kids Diana Show
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The Telegraph
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State Department spokesperson Vedant Patel holds a press brieifing.<br/><br/>Fuel your success with Forbes. Gain unlimited access to premium journalism, including breaking news, groundbreaking in-depth reported stories, daily digests and more. Plus, members get a front-row seat at members-only events with leading thinkers and doers, access to premium video that can help you get ahead, an ad-light experience, early access to select products including NFT drops and more:<br/><br/>https://account.forbes.com/membership/?utm_source=youtube&utm_medium=display&utm_campaign=growth_non-sub_paid_subscribe_ytdescript<br/><br/><br/>Stay Connected<br/>Forbes on Facebook: http://fb.com/forbes<br/>Forbes Video on Twitter: http://www.twitter.com/forbes<br/>Forbes Video on Instagram: http://instagram.com/forbes<br/>More From Forbes:http://forbes.com
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Lovely Music Bhojpuri
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T-Series
⏲ 6 minutes 59 seconds 👁 244M
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
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Busy Fun Ltd
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FOOD COUTURE by Chetna Patel
⏲ 8 minutes 33 seconds 👁 392.1K
Singer : Stebin Ben<br/>Starring : Aayush Sharma and Aisha Sharma<br/>Music / Composer : Lijo George <br/>Lyrics : Shyam Sidhawat<br/>Mix and mastered by Shadab Rayeen @ New Edge<br/>Assistant Engineers : Pukhraj, Anup, Ehsan and Siddhant<br/>Live Guitars, Bass and Strokes : Shomu Seal <br/>Trumpets : Kishor Sodha<br/>Backing VocalsDesigned and Performed : Aniruddh Anantha<br/><br/><br/>Director: Dhruwal Patel & Jigar Mulani<br/>Dop: Dhruwal Patel <br/>Ep: R C Rana<br/>Choreographer: ShehzaanKhan & Punyakar Upadhyay<br/>Creative Director: Jyugal Soni <br/>Casting Director: Himanshu Mishra<br/>Asst Director: Shehzaan Khan<br/>Asst Choreographer: Sankar Bhutani<br/>Costume Designer and Stylist: Denish Hamirani & Akanksha <br/>Line producer: Akshay kapoor<br/>Line production manager: Himansu Kapoor<br/>Local junior and dancers co ordinator: Nabila Sadaqat <br/>Art: Soundrya Grover<br/>Editor : Sitansu Datta <br/>Online Editor: Avish Patel <br/>Colourist: Onkar Singh<br/>Poster: The Town Media <br/><br/><br/>Team Aayush Sharma :-<br/>Manager : Ishika Shah<br/>Casting : Himanshu Mishra<br/>Hair : Harsh Pawar<br/>Make up : Jagabandhu Dash<br/>Spot : Salim Ahmed<br/><br/>Team Aisha Sharma :-<br/>Manager : Rishabh Sureka<br/>Hair : Lata Dsouza<br/>Make up : Georgis <br/><br/>Team Benchmark :-<br/>Operations Head : Mukesh Mishra<br/>Distributor : Believe Digital<br/>Social media : Harish Pednekar<br/>Legal advisor - Abhijeet Shukla (AKSJURIS & CO.)<br/><br/><br/>#stebinben#aayushsharma #aishasharma#latestsongs2023#bollywoodsongs2023#dancemusic2023 #latestpartysongs #Djlijo #lijogeorge #music2023#hitsongs2023#partysongs#bollywoodsongs#clubsong
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Comedy Top Plays
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GLITCH
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