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The Sadness (Chinese: 哭悲; pinyin: Kū Bēi; lit. 'Cry Sad') is a 2021 Taiwanese body horror film written, edited and directed by Canadian filmmaker Rob Jabbaz (in his feature film debut),[1] produced by Machi Xcelsior Studios and producer David Barker. The film depicts a couple played by Berant Zhu [zh] and Regina Lei [zh] who attempt to reunite amidst a viral pandemic that turns people into homicidal maniacs.
⏲ 1:39:58 👁 585K
SMG4
⏲ 38 minutes 21 seconds 👁 4M
I ate
⏲ 3 minutes 56 seconds 👁 26
Feed is a Swedish horror film from 2022 . The film is directed by Johannes Persson , with a script written by Paolo Vacirca and Henry Stenberg . [ 4 ] The film premiered in Sweden on October 28, 2022, released by Nordisk Film .
⏲ 1:40:6 👁 440K
Alan Becker
⏲ 39 seconds 👁 2.1M
Brum Toys
⏲ 3 minutes 51 seconds 👁 37
Love starts after marriage -After marrying an officer, I learned we have a child from a past one-night stand, five years ago<br/>#film#filmengsub #movieengsub #EnglishMovieOnlydailymontion#reedshort #englishsub #chinesedrama #drama #cdrama #dramaengsub #englishsubstitle #chinesedramaengsub #moviehot#romance #movieengsub #reedshortfulleps<br/>TAG: English Movie Only,English Movie Only dailymontion,short film,short films,best short film,best short films,short,alter short horror films,animated short film,animated short films,best sci fi short films youtube,cgi short film,film,free short film,3d animated short film,horror short,horror short film,new film,sci-fi short film,short form,short horror film,short movie<br/>
⏲ 1:38:15 👁 295K
T Studio
⏲ 4 minutes 16 seconds 👁 104.7K
#terror #cinema #documentary <br/><br/>A true documentary that explores the evolution of horror cinema worldwide... It's impossible not to be curious about how fear is explored through the horror genre and sub-genre\
⏲ 1:10 👁 290K
Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 1M
Skinamarink is a 2022 Canadian experimental supernatural horror film written and directed by Kyle Edward Ball in his feature-length directorial debut.[1] The film follows a young brother and sister who wake up during the night to discover that they cannot find their father and that the windows, doors, and other objects in their house are disappearing.
⏲ 1:39:56 👁 365K
Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is mad for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE,
⏲ 13:58 👁 190K
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