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Search Results - Showing 48 - 60 Of 56
Time Vs Everyone
⏲ 1 min 29 sec ✓ 13-Oct-2020
Réponse - La Cathédrale
⏲ 5 min 73 sec ✓ 11-Dec-2023
Trash Magic
⏲ 2 min 27 sec ✓ 01-Oct-2020
Reflexive Iterations 1.a (2020; Full Performance) - TACETi Ensemble & extended no-input mixer
⏲ 13 min 20 sec ✓ 09-Jun-2021
Mandarin Cycles wmv
⏲ 5 min 1 sec ✓ 09-Sep-2010
Sound House 2 Excerpts from Work-in-progress
⏲ 3 min 12 sec ✓ 19-Jul-2020
Gorje[A journey through the unknown mountain]
⏲ 5 min 11 sec ✓ 13-Feb-2024
Convenience with Low Prices
⏲ 2 min 9 sec ✓ 28-Jun-2023
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_time-vs-everyone.webp "(FILD8)nThis Nowhere Mountain piece was built around one of nonnon's old field recordings.nnHere’s what Dave said about these field recordings:nnnFildnDave MaddennFor found sound and Reaktorn nThe collection of sounds for “Fild” began somewhere around 2001 and, according to the .wav file, was finished in 2005. In-between those years, I was broke, which meant I was exploring ways to mix what I recently spent seven years learning in music school and applying it to Noise, junk percussion and")
_rponse-la-cathdrale.webp "Réponse - La Cathédrale (english will follow)nnEn été 2022, je produisais un projet personnel important pour moi dans lequel je voulais exprimer l’influence de l’acoustique sous différentes formes avec une empreinte sonore unique et expressive, soit celle de Simon Parenteau (@Sim_Parenteau) et de sa guitare. À travers le processus, ayant pour objectif de faire résonner l’un des environnements acoustiques influents dans la culture du Québec et du monde, j’ai approché l’enregist")
_trash-magic.webp "(FILD3)nThis Nowhere Mountain piece was built around one of nonnon's old field recordings.nnHere’s what Dave said about these field recordings:nnnFildnDave MaddennFor found sound and Reaktorn nThe collection of sounds for “Fild” began somewhere around 2001 and, according to the .wav file, was finished in 2005. In-between those years, I was broke, which meant I was exploring ways to mix what I recently spent seven years learning in music school and applying it to Noise, junk percussion and")
_reflexive-iterations-1-a-2020-full-performance-taceti-ensemble-amp-extended-no-input-mixer.webp "Reflexive Iterations 1.a (2020; Full Performance)nfor quintet and extended no-input mixernby Jason Thorpe BuchanannnWorld Premiere: December 20, 2020nThailand New Music and Art SymposiumnBangkok Art and Culture Centre (BACC)nnTACETi EnsemblenGeorge W. Pruksavanich, tenor saxophonenChristhatai Paksamai, bass clarinetnTapanat Kiatpaibulkit, violinnPulish Likhitwatanasad, cellonPipe Kantapong, percussionnJason Thorpe Buchanan, composer, extended no-input mixernnRecording Engineers: Jason Thorpe Buc")
_mandarin-cycles-wmv.webp "The audio of Mandarin Cyclesu0002 consists of an algorithmically composed acoustic ensemble composition that was written and performed in 1982; it is used as the sound track for a Fractal video montage of several animations performed simultaneously.The audio algorithm produced a constantly permuted set of common practice period chords (!-IV-II-V-!) that are chromatically and rhythmicallyaltered in a systematic fashion over an 8-minute period.nnAlthough my original hearing of the work produ")
_sound-house-2-excerpts-from-work-in-progress.webp "Sound House (everyone is working) is a multidisciplinary durational performance conceived by theater/film artist Janie Geiser and composers John Eagle and Cassia Streb, and created in collaboration with an ensemble of designers and performers, including video designer Hsuan-Kuang Hsieh, lighting designerChu-Hsuan Chang, and scene designer Vincent Richards. Currently in development, Sound House will be presented by Automata in collaboration with the Center for New Performance in Spring 2018.nnS")
![Gorje [A Journey through the Unknown Mountain] for oboe and string quartet is a personal sonic representation of an exploration of one's own origins, South Slavic [Bosnian] myths and legends, archaic [musical] traditions and customs, and the cultic significance and identity-forming effect of natural landscapes, especially mountains, forests and rivers. The composition represents a state of the](https://cdn2.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8kAmx3Awx3ZGx0YJR3ZGV1LJIuZwyxLzV5LGZjA_WwBQH5LwDkZGMyMJSuZ_R0L_SuMJR-LzAxATWwATIyMJAyZmN_LzD5ZJDkAJRgMS8lZQO-ZGHjXFfbXRucEzyAo3LhL_8cKmR3BGp_BGpkBGDgLGpkZwIuMJRlBJEvLwyuZmN3LzZ-AGyvAQRkAzIyLJRmLGEwLJSyLGuvL_D0LzZ0MJIyL_HmZQMvMQxkMQR1LF1xYGVjZUtkAGN5v7P/(HiFiMov.co)_gorje-a-journey-through-the-unknown-mountain.webp "Gorje [A Journey through the Unknown Mountain] for oboe and string quartet is a personal sonic representation of an exploration of one's own origins, South Slavic [Bosnian] myths and legends, archaic [musical] traditions and customs, and the cultic significance and identity-forming effect of natural landscapes, especially mountains, forests and rivers. The composition represents a state of the")
_convenience-with-low-prices.webp "Convenience with Low Prices from an audio effect ensemble effect")
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