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FETISHISM
⏲ 93 sec ✓ 07-Apr-2022
Selfie
⏲ 2 min 31 sec ✓ 17-Aug-2021
Memory & Cinephilia
⏲ 5 min 80 sec ✓ 25-Apr-2015
Man in Samurai Armor –– RGB Pixel Flicker, 2022. Excerpt
⏲ 30 sec ✓ 19-Nov-2022
Creation VHS Effects Presets
⏲ 1 min 4 sec ✓ 03-Apr-2023
Lights - אורות - A Story for Chanukah - כותרות בעברית
⏲ 13 min 86 sec ✓ 06-Dec-2023
Solstice
⏲ 14 min 40 sec ✓ 05-Apr-2019
In Between (Documentation)
⏲ 2 min 82 sec ✓ 02-Feb-2024
white clouds in blue sky (excerpt, work-in-progress)
⏲ 1 min 49 sec ✓ 16-Dec-2019
BROTHERS IN ARMS - Actor Vic Bagratuni Interview (Behind The Scenes)
⏲ 2 min 63 sec ✓ 02-Feb-2023
Shifting Narrative
⏲ 80 sec ✓ 20-Apr-2016
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_selfie.jpg "Throughout the evolutionary development of motion image production, the use of repetition offered a reliable method for constructing the illusion of movement. Devices, such as the phenakistiscope and the zoetrope, used rotating images in order to maintain a constant stream of motion. Eventually, these devices would give way to the motion picture camera; however, the same principles were embedded within mechanized technology. By capturing images at a rate of 18 and 24 frames per second, the camer")
_fetishism.webp "Victor brings deconstruction of the original image to the level of magical archaeology. He deliberately highlights insignificant fragments of artifacts until they acquire an independent meaning and become signs.nThe search for an interpretation of fetishes occurs through the display of recognizable objects. However, Victor's pursuit of abstract form results in the fetishization of the very method of image simplification, where simple geometric shapes, color combinations and color itself become t")
_selfie.webp "Throughout the evolutionary development of motion image production, the use of repetition offered a reliable method for constructing the illusion of movement. Devices, such as the phenakistiscope and the zoetrope, used rotating images in order to maintain a constant stream of motion. Eventually, these devices would give way to the motion picture camera; however, the same principles were embedded within mechanized technology. By capturing images at a rate of 18 and 24 frames per second, the camer")
_memory-amp-cinephilia.webp "Title: Memory30 FPS; 960x540; SDnnPrincipal Cast and Crew: N/AnnWork that needs to be completed:n•tSome voiceover re-recordingn•tSome addition/deletion of clips")
_man-in-samurai-armor-rgb-pixel-flicker-2022-excerpt.webp "The video is based on the RGB pixel sequence of a digitized photograph by Raimund von Stillfried, entitled 'Man in Samurai Armor', 1870s, from the archive of the Peabody Museum. Stillfried established his studio in Japan in the 1860s when Japan opened its doors to the West. His delicately hand-tinted photographic prints of Japanese people and landscapes soon became Japan's most popular exports sold as tourist souvenirs to travelers from the West. Some of these photographs were collected by Willi"){kind=tracking}
_creation-vhs-effects-presets.webp "11 authentic-looking VHS looks for your video footage. These are part of the")
_lights-a-story-for-chanukah.webp "An inspiring story about the deeper meaning of Chanukah by Yehuda Wurtzel and Sara Wurtzel. Featuring the voice talents of Paul Michael Glaser, Judd Hirsch, and Leonard Nimoy.")
_solstice.webp "SolsticenPaul Wong, 2014n24 min, colour, stereonInstallation, dimensions variablen“I found myself drawn into Solstice and its numerous narratives. The guy standing on the corner: what’s he doing? I thought to myself. His head swivels left to right, right to left, left to right. He’s scanning the landscape around him, looking for someone, something. Then he’s gone.The same kind of thing happened over and over again in slightly different ways as I watched. Why are those two going behind th")
_in-between-documentation.webp "In Between is an expanded cinema installation, exhibiting at Rubenstein Art Center, Durham, NC, USA, in 2023. It visualizes the")
_white-clouds-in-blue-sky-excerpt-work-in-progress.webp "This is an excerpt of a video installation work-in-progress by Kate Hennessy, Trudi Lynn Smith, and Steve DiPaola.nnwhite clouds in blue sky is a 24 minute, two-channel video installation that juxtaposes a performative engagement with the materiality of gallery refuse with the poetics and politics of machine vision. In one video channel, artists Hennessy and Smith methodically construct a sculptural heap of utilitarian objects like stacks of chairs, and scrap materials that have been gathered af")
_brothers-in-arms-actor-vic-bagratuni-interview-behind-the-scenes.webp "BROTHERS IN ARMS - Actor VIC BAGRATUNI INTERVIEW (BEHIND THE SCENES)nnAn interview with Vic Bagratuni regarding the Brothers In Arms short film that introduces the themes and story of the feature film.nnContent: Interview with actor Vic Bagratuni; the makings of a character; working on character; working with cast, and crew; the deep commitment to create something cinematic for international audiences and theatrical distribution; clips and still frames.nnBrothers In Arms is a feature film cine")
_shifting-narrative.webp "News are presented to us by journalist-narrators. It is this explicit narration or telling that ties the parts of news narratives or stories together, and gives them their meaning. The journalist frames what we see and hear, and as with any narrative element it can obtain a different meaning depending on which parts of the story are shifted or withheld.nnNarrative Shifter is a live web application linked to News RSS Feeds. Text-to-speech algorithm reads news headlines aloud and repeats the text")
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