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The At Any Given Moment series explores issues of perception, specifically our relationship to technologically mediated nature. In At Any Given Moment, Grass 1, the repetitive rhythm, tight cropping, and large-scale image emphasize the work’s particular organizational logic in time and space, and assemble a more compact environment, one that the body can engage with physically. The cross-rhythmic tensions between simple elements—a blade of grass modulated by variable speed and variable light
⏲ 56 sec ✓ 05-May-2019
Rebecca Grant, digital archivist at the Digital Repository of Ireland who contributes to policy development for the Repository, covering areas including copyright, rights management and licensing of digital content among others, presented 'Research data for the Arts and Humanities - What? Why? How?' in the third session of 'Research in the Digital Age: data, dissertations and dissemination' half-day symposium organised by DAH and DRI at the Long Room Hub in Trinity College Dublin.nnThis half-day
⏲ 15 min 12 sec ✓ 22-Jul-2015
Dr. Kathie Gossett, Assistant Professor of Digital Humanities in the English Department at Iowa State University and Dr. Liza Potts, associate professor and director of WIDE Research at Michigan State University, presented 'Digital Dissertations: Defining, Architecting, Sustaining' in the first session of 'Research in the Digital Age: data, dissertations and dissemination' half-day symposium organised by DAH and DRI at the Long Room Hub in Trinity College Dublin.nnThis half-day symposium explore
⏲ 38 min 95 sec ✓ 27-Jul-2015
This dissertation examines the intersections between actuated string instrument design and the deployment of just tuning structures in composition and performance practice. Accompanying the written document, we present an original composition, Artemisia, as a tangible demonstration of these integrated practices. We begin by establishing a contextual definition for actuated instrumentation specific to those instruments, devices, and algorithms which employ a secondary or indirect method of induci
⏲ 28 min 46 sec ✓ 09-May-2021
Buy Solutions: http://hwsoloutions.com/downloads/com-100-week-1-introduction-to-communication-worksheet/ nComplete the Material: Introduction to Communication Worksheet. Introduction to Communication WorksheetnParagraph QuestionsnAnswer the following questions in your own words. Each response must be written as an academic paragraph of at least 150 words. Be clear and concise and provide explanations for your answers. Format your sources consistent with APA guidelines.n1.tAccording to Introducin
⏲ 11 sec ✓ 21-Sep-2016
November 11, 2021 at Slocum Hall, School of Architecture, Syracuse University.nnArchitect and urban designer, Liang Wang came to Syracuse Architecture in fall 2020 as the School’s fifth Harry der Boghosian Fellow.nnCULTIVATED IMAGINARIES is the culminating exhibition of Harry der Boghosian Fellow Liang Wang’s year-long research project devoted to the study of the superblock. The results of Wang’s studio and other courses taught over this last year are catalogued and published in two large
⏲ 36 min 98 sec ✓ 13-Dec-2021
Hypermediacy can paradoxically result in greater immediacy. Discuss what methods are used to achieve immediacy in one case study.nnThe idea of immediacy and hypermediacy can be seen as one of the most important concepts in media studies. As both of them aim to make media forms to achieve as real as possible, and they are complementary and opposite at the same time. By analysing the elements of hypermediacy presented in the video game Detroit: Become Human, the idea of hypermediacy works to achie
⏲ 3 min 24 sec ✓ 12-Sep-2019
Dr Paul Gruba is interested in new media and technologies in language assessment and computer mediated communication. Paul first taught English in a technical high school in Bamako before taking up a position at the Ecole Nationale d'Administration in academic staff development. After leaving Africa, Paul travelled extensively and took up a position teaching English in Takamatsu, Japan. From 1989, His studies at UCLA focused on the role of digital video media in second language listening assessm
⏲ 2 min 42 sec ✓ 24-Jun-2014
Exploring depersonalisation of experiences through computer mediated communication. Using an overly personalised jumble of text alongside Dr Vivienne Ming's definition of personalisation in technology,
⏲ 18 sec ✓ 05-Jan-2019
T'HERE'YONDERnnEighty years have passed since the monumental exhibition of 'elsewhere' was inaugurated and then quickly closed again in Naples. A lifetime. The discovery of a family letter launches a journey to find the missing grandfather who disappeared overseas that same year in that same war, setting out from the overgrown ruins and remains of the exhibition complex — archives hidden in plain sight. An exploration of wonder and longing, and of the cultural formation and persistence of west
⏲ 18 min 20 sec ✓ 23-Feb-2024
Produced as the final project for a design studio course at Harvard, this video is a collection the various ways smog can be understood within the city. Textual definition, visual imageries, statistical figures and charts, as well as an abstracted traffic system all come together in this animation to portray the various ways smog can be represented through media. nnMade with Adobe After Effects CC 2014nData Source: U.S. Environmental Protection Agency (EPA)
⏲ 94 sec ✓ 26-Aug-2015
Senior Capstone Film - 2022, Lawrence Universitynn[L]or is about searching for oneself, longing for answers; whilst wrestling with the limitations of perception and language - seeking to express what remains elusive and inexpressible.n[L]or is an experimental short film that combines 16mm direct animation, 2D digital animation, and highly mediated digital footage to create a dynamic abstract space in which these complex questions can be more fully explored.nnThis film went through many iteration
⏲ 2 min 52 sec ✓ 15-Dec-2022
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